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Iacopo Osticioli


iacopo.osticioli@gmail.com

Journal articles

2012
D Comelli, A Nevin, A Brambilla, I Osticioli, G Valentini, L Toniolo, M Fratelli, R Cubeddu (2012)  On the discovery of an unusual luminescent pigment in Van Gogh’s painting "les bretonnes et le pardon de pont Aven"   Applied Physics A : Materials Science and Processing 106: 1. 25-34  
Abstract: Spectrally and lifetime-resolved UV-induced luminescence imaging have been applied to the in situ analysis of Vincent Van Gogh’s painting on paper "Les bretonnes et le pardon de pont Aven". The in situ investigation revealed the presence of an unusual microsecond green emission from the white painted areas of the watercolour, and this long-lived emission has not been reported in modern paintings by other authors. In order to attribute and suggest an identification of the luminescent pigment, our analysis was integrated with further measurements on commercially available modern white pigments (zinc white, Lithopone white, Blanc Fixe, zinc sulphide, and copper-doped zinc sulphide) and with an in-depth study of the synthesis processes of zinc-based pigments available at the end of the 19th century. Analysis suggested an attribution of the unusual emission from the Van Gogh painting to a particular variety of zinc sulphide pigment, characterized by the presence of copper impurities which were unintentionally introduced in the crystal matrix during its production. The present study is the first application of lifetime imaging for the mapping of long-lived luminescence from the semi-conductor pigment. © 2011 Springer-Verlag.
Notes: cited By (since 1996) 0
S Siano, J Agresti, I Cacciari, D Ciofini, M Mascalchi, I Osticioli, A A Mencaglia (2012)  Laser cleaning in conservation of stone, metal, and painted artifacts : State of the art and new insights on the use of the Nd:YAG lasers   Applied Physics A : Materials Science and Processing 106: 2. 419-446  
Abstract: In the present work the application of laser cleaning in the conservation of cultural assets is reviewed and some further developments on the interpretation of the associated laser-material interaction regimes are reported. Both the state of the art and new insights mainly focus on systematic approaches addressed to the solution of representative cleaning problems, including stone and metal artifacts along with wall and easel paintings. The innovative part is entirely dedicated to the extension of the application perspective of the Nd:YAG lasers by exploiting the significant versatility provided by their different pulse durations. Besides extensively discussing the specific conservation and physical problems involved in stone and metal cleaning, a significant effort was also made to explore the application potential for wall and easel paintings. The study of the latter was confined to preliminary irradiation tests carried out on prepared samples. We characterized the ablation phenomenology, optical properties, and photomechanical generation associated with the irradiation of optically absorbing varnishes using pulse durations of 10 and 120 ns. Further results concern the nature of the well-known problem of the yellowish appearance in stone cleaning, removal of biological growths and graffiti from stones, cleaning of bronze and iron artifacts and related aspects of laser conversion of unstable minerals, removal of calcareous stratification from wall paintings, and other features. © Springer-Verlag 2011.
Notes: cited By (since 1996) 0
I Osticioli, J Agresti, C Fornacelli, I T Memmi, S Siano (2012)  Potential role of LIPS elemental depth profiling in authentication studies of unglazed earthenware artifacts   Journal of Analytical Atomic Spectrometry 27: 5. 827-833  
Abstract: We focused on the behaviour of elemental distributions in unglazed earthenware artifacts. The potential role of the elemental depth profiles, as measured using a portable laser induced plasma spectroscopy (LIPS) device, in discriminating between genuine unearthed archaeological findings and modern counterfeits was investigated. Measurements were carried out on a set of ancient unglazed earthenware samples from archaeological excavation and on some corresponding modern artifacts. The analyses pointed out that the elements exhibiting the most significant and repeatable modulations were iron and calcium. A systematic depletion of the former was observed in all the samples analysed, without any possibility of discrimination, whereas calcium had different behaviours. A recurrent presence of high-amplitude, broad, and structured calcium content peaks in proximity of the surface of genuine unearthed samples was measured, a feature that was not observed for modern artifacts. This result provides the first evidence of the possible use of calcium depth distribution measured using LIPS analysis as a marker in authentication studies of unglazed earthenware artifacts. © 2012 The Royal Society of Chemistry.
Notes: cited By (since 1996) 0
2011
A Brambilla, I Osticioli, A Nevin, D Comelli, C Dandrea, C Lofrumento, G Valentini, R Cubeddu (2011)  A remote scanning Raman spectrometer for in situ measurements of works of art   Review of Scientific Instruments 82: 6.  
Abstract: In conservation science, one of the main concerns is to extract information from an artistic surface without damaging it. Raman spectroscopy has emerged in recent years as a reliable tool for the non-destructive analysis of a wide range of inorganic and organic materials in works of art and archaeological objects. Nevertheless, the technique is still mainly limited to the analysis of micro-samples taken from artistic surfaces. The development of an instrument able to perform non-contact analysis of an area of a few square centimeters aims to further increase the employment of this technique. This paper describes the development of a prototype Raman scanning spectrometer based on a diode laser, a 2D scanning mirror stage and a custom optical system, which can map a surface of 6 cm in diameter at a working distance of 20 cm. The device exhibits collecting optics with a depth of field close to 6 cm, which makes the Raman system suitable for the analysis of non-flat surfaces and three-dimensional objects. In addition, the overall dimensions and weight of the instrument have been limited in order to make the device transportable and, in principle, usable for in situ measurements. Details on the design of the device, with particular emphasis on the collecting optical system, and on results of the characterization tests carried out to assess its performances are reported. Finally, an example of an application involving the identification of pigments from a model painting is presented. © 2011 American Institute of Physics.
Notes: cited By (since 1996) 1
D Comelli, A Nevin, G Valentini, I Osticioli, E M Castellucci, L Toniolo, D Gulotta, R Cubeddu (2011)  Insights into Masolino’s wall paintings in Castiglione Olona : Advanced reflectance and fluorescence imaging analysis   Journal of Cultural Heritage 12: 1. 11-18  
Abstract: Investigations of wall paintings by Masolino da Panicale in the Baptistery of Castiglione Olona were conducted using a multi-analytical approach, based on in situ fluorescence imaging, multispectral reflectance imaging and non-destructive analysis of a historical cross-section. Fluorescence imaging of wall paintings, mainly focused on the discrimination and identification of organic compounds, has been conducted with a novel approach, which incorporates the use of spectrally-resolved and lifetime-resolved imaging devices, applied together for the first time for the analysis of paintings. Analysis of the UV-induced emissions from the surface of the paintings allowed the documentation of the selective use of a carmine-based red lake, identified using micro-Raman spectroscopy and Scanning Electron Microscopy. Visible reflectance measurements highlighted the distribution and use of different inorganic pigments. Finally, the in situ study, with the support of early 20th century photographs, provided additional information on Masolino’s style and revealed details and decorative elements of the painting, which are indiscernible under standard illumination. © 2010 Elsevier Masson SAS.
Notes: cited By (since 1996) 5
2010
A Nevin, D Comelli, I Osticioli, G Filippidis, K Melessanaki, G Valentini, R Cubeddu, C Fotakis (2010)  Multi-photon excitation fluorescence and third-harmonic generation microscopy measurements combined with confocal Raman microscopy for the analysis of layered samples of varnished oil films   Applied Physics A : Materials Science and Processing 100: 3. 599-606  
Abstract: The non-destructive determination of layer structures in works of art remains a significant challenge. Non-linear microscopy and confocal Raman microscopy (CRM) were employed for characterisation of varnish-media layers in model samples, providing important information regarding the thickness of materials and the identification of different media in depth. Commonly found triterpenoid varnishes mastic and dammar were applied over a single layer of films of linseed oil. Non-linear microscopy of samples was carried out using a 1028-nm femtosecond laser source; both third-harmonic generation signals (THG) and three-photon fluorescence signals (3PEF) of samples were collected in an effort to measure the thickness of mono- and bi-layers; in parallel scans of larger areas were undertaken to assess heterogeneities in samples with spatial resolution of 2 Όm. Complementary spectroscopic information from CRM collected with both a 514.5-nm argon-ion and a 785-nm diode lasers coupled with a 100X objective and a motorised stage was carried out. Comparison of C-H stretching regions of Raman spectra allowed the differentiation between different molecular materials and the fingerprint region was employed for the depth profiling of the samples. © Springer-Verlag 2010.
Notes: cited By (since 1996) 4
2009
I Osticioli, N F C Mendes, A Nevin, A Zoppi, C Lofrumento, M Becucci, E M Castellucci (2009)  A new compact instrument for Raman, laser-induced breakdown, and laser-induced fluorescence spectroscopy of works of art and their constituent materials.   Rev Sci Instrum 80: 7. Jul  
Abstract: A small, potentially transportable prototype instrument capable of carrying out Raman, laser-induced breakdown (LIB), and laser-induced fluorescence (LIF) spectroscopy using a single pulsed laser source was developed for the analysis of cultural heritage objects. The purpose of this instrumentation is to perform fast and reliable analysis of surfaces with minimum damage to an object. For this purpose, a compact (51 x 203 x 76 mm) nanosecond Q-switched neodymium doped yttrium aluminum garnet laser (8 ns, 20 Hz, 0.01-115 mJ/pulse) was used as an irradiation source. The use of a nanosecond-gated detector sensitive between 180 and 900 nm allows the acquisition of elemental emissions in LIB spectroscopy and can also be employed for both LIF and time-resolved Raman spectroscopy. In this work, attention is focused on the description of the instrument and its optical components, and two examples of applications for the analysis of pigments and binding media used in works of art are presented.
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A Nevin, D Comelli, I Osticioli, L Toniolo, G Valentini, R Cubeddu (2009)  Assessment of the ageing of triterpenoid paint varnishes using fluorescence, Raman and FTIR spectroscopy.   Anal Bioanal Chem 395: 7. 2139-2149 Dec  
Abstract: The assessment of the influence of natural and artificial ageing on the spectrofluorescence of triterpenoid varnishes dammar and mastic is the focus of this work. Both Fourier transform infrared (FTIR) microscopy using attenuated total reflectance and Raman spectroscopy have been employed for complementary molecular analysis of samples. Synchronous fluorescence spectroscopy, excitation emission spectroscopy, and statistical analysis of data have been used to monitor changes in the optical properties of varnish samples. Assessment of naturally and artificially aged samples using excitation emission spectroscopy suggests that extensive exposure to visible light does not lead to easily appreciable differences in the fluorescence of mastic and dammar; cluster analysis has been used to assess changes, which occur with artificial ageing under visible light, indicating that differences in the fluorescence spectra of aged triterpenoids may be insufficient for their discrimination. The results highlight significant differences between the initial fluorescence of films of dammar and mastic and the fluorescence, which develops with ageing and oxidation, and specific markers, which change with ageing in FTIR and Raman spectra, have been identified.
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N F C Mendes, I Osticioli, J Striova, A Sansonetti, M Becucci, E Castellucci (2009)  Versatile pulsed laser setup for depth profiling analysis of multilayered samples in the field of cultural heritage   JOURNAL OF MOLECULAR STRUCTURE 924-26: 420-426  
Abstract: The present study considers the use of a nanosecond pulsed laser setup capable of performing laser induced breakdown spectroscopy (LIBS) and pulsed Raman spectroscopy for the study of multilayered objects in the field of cultural heritage. Controlled etching using the 4th harmonic 266 nm emission of a Nd:YAG laser source with a 8 ns pulse duration was performed on organic films and mineral strata meant to simulate different sequence of layers usually found in art objects such as in easel and mural paintings. The process of micro ablation coupled with powerful spectroscopic techniques operating with the same laser source, constitutes an interesting alternative to mechanical sampling especially when dealing with artworks such as ceramics and metal works which are problematic due to their hardness and brittleness. Another case is that of valuable pieces where sampling is not an option and the materials to analyse lie behind the surface. The capabilities and limitations of such instrumentation were assessed through several tests in order to characterize the trend of the laser ablation on different materials. Monitored ablation was performed on commercial sheets of polyethylene terephthalate (PET), a standard material of known thickness and mechanical stability, and rabbit glue, an adhesive often used in works of art. Measurements were finally carried out on a specimen with a stratigraphy similar to those found in real mural paintings. (C) 2009 Elsevier B.V. All rights reserved.
Notes: Times Cited: 0
I Osticioli, N F C Mendes, A Nevin, Francisco P S C Gil, M Becucci, E Castellucci (2009)  Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy.   Spectrochim Acta A Mol Biomol Spectrosc 73: 3. 525-531 Aug  
Abstract: Pulsed laser induced breakdown spectroscopy (LIBS) and Raman spectroscopy were performed using a novel laboratory setup employing the same Nd:YAG laser emission at 532 nm for the analysis of five commercially available pigments collectively known as "ultramarine blue", a sodium silicate material of either mineral origin or an artificially produced glass. LIBS and Raman spectroscopy have provided information regarding the elemental and molecular composition of the samples; additionally, an analytical protocol for the differentiation between natural (lapis lazuli) and artificial ultramarine blue pigments is proposed. In particular LIBS analysis has allowed the discrimination between pigments on the basis of peaks ascribed to calcium. The presence of calcite in the natural blue pigments has been confirmed following Raman spectroscopy in specific areas of the samples, and micro-Raman and optical microscopy have further corroborated the presence of calcite inclusions in the samples of natural origin. Finally multivariate analysis of Laser induced breakdown spectra using principal component analysis (PCA) further enhanced the differentiation between natural and artificial ultramarine blue pigments.
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I Osticioli, N F C Mendes, S Porcinai, A Cagnini, E Castellucci (2009)  Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup.   Anal Bioanal Chem 394: 4. 1033-1041 Jun  
Abstract: A nanosecond pulsed laser setup has been optimized to perform laser-induced breakdown spectroscopy (LIBS) and pulsed Raman spectroscopy measurements in the field of cultural heritage. Three different samples of artistic/architectural interest with different typologies have been analyzed. The results from the two techniques allowed the identification of the materials used in their manufacture or contaminating them, probably coming from atmospheric pollution and biological activity. No sampling and sample preparation was required before the measurements, and no visual or structural damage was observed. Depth profiling using LIBS was performed in one of the samples, providing elemental information along the different layers composing the object and covering its surface. The quality of the results and the rather short time needed for the measurements and for switching between techniques confirmed the instrument's capabilities and specificity for dealing with objects of artistic or historical interest.
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2008
A Nevin, I Osticioli, D Anglos, A Burnstock, S Cather, E Castellucci (2008)  The analysis of naturally and artificially aged protein-based paint media using Raman spectroscopy combined with Principal Component Analysis   JOURNAL OF RAMAN SPECTROSCOPY 39: 8. 993-1000  
Abstract: The analysis of protein-based paint media used in paintings is presented using micro-Raman spectroscopy, carried out with a diode laser emitting at a wavelength of 785 nm. Following a contextualisation of the analysis and ageing of protein-based binding media, a consideration of the effects of artificial ageing using visible light on the Raman spectra of binding media is given and the interpretation of changes to the Raman spectra of selected binding media is presented. Bands associated with aromatic amino acids are most affected by ageing, but spectra retain diagnostic information for the identification of proteins. Specific changes to the spectra of dairy and collagen-based binding media are described and explained with reference to the oxidation of amino acids. A multivariate approach using Principal Component Analysis has been chosen for the assessment of the bands in C-H stretching region for which a large set of over 150 spectra were recorded from artificially and naturally aged binding media which included egg white, egg yolk, milk and casein, and collagen-based glues from rabbit skin, ox bone, parchment and sturgeon bladder. Raman spectroscopy has been used for an assessment of the effects of ageing and the detection of degradation due to exposure of light. Multivariate analysis has allowed the differentiation between a large data set of spectra of naturally and artificially aged binding media. Copyright (c) 2008 John Wiley & Sons, Ltd.
Notes: Times Cited: 2
I Osticioli, M Wolf, D Anglos (2008)  An optimization of parameters for application of a laser-induced breakdown spectroscopy microprobe for the analysis of works of art.   Appl Spectrosc 62: 11. 1242-1249 Nov  
Abstract: Laser-induced breakdown spectroscopy (LIBS) provides many advantages for analysis of works of art. Both qualitative and semi-quantitative information about the elemental composition of an object can be rapidly obtained using LIBS. The time of response is on the order of a few seconds and no sample preparation is required. The possibility of performing analysis in museums and archeological sites makes LIBS particularly important; the combination of laser ablation and analysis as encountered in LIBS provides means to effectively carry out depth profiling of samples. By combining the use of a microscope, the dimension of the spot of the laser used to carry out analysis can be reduced and the spatial resolution highly improved; in this way, a very small area of the sample (on the order of 10 miccrom) can be analyzed. The aim of this work is to investigate the best working conditions in order to obtain the least amount of material removal during analysis, and, at the same time, the best quality in the spectral response for rapid and reliable identification of the elemental composition of an object. First, investigations were undertaken using metal alloys; second, the optimized LIBS conditions were used for analysis of models of painting layers prepared in the laboratory. Finally, a painting cross-section and a 19th century painted icon were analyzed using the micro-LIBS setup.
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A Nevin, J L Melia, I Osticioli, G Gautier, M P Colombini (2008)  The identification of copper oxalates in a 16th century Cypriot exterior wall painting using micro FTIR, micro Raman spectroscopy and Gas Chromatography-Mass Spectrometry   JOURNAL OF CULTURAL HERITAGE 9: 2. 154-161  
Abstract: Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, Cyprus resulted in the identification of a copper-based, pigment degradation product - a hydrated copper oxalate, analogous to the naturally occurring blue-green mineral Moolooite. The identification of copper oxalate, a deterioration (alteration) product more often associated with the deterioration of bronze was possible through the integrated use of both micro-FTIR in reflectance for spot analysis of areas on the surface of an embedded cross-section, and FTIR reflectance imaging for the localisation of the presence of copper and calcium oxalates within the stratigraphy of the painting. Further, micro-Raman spectroscopy was employed for the analysis of unembedded fragments of the painting, confirming the presence of both copper oxalate and calcium oxalate. Finally, novel methods for the removal of salt interferences were employed for analysis using Gas Chromatography-Mass Spectrometry (GC-MS), which revealed the presence of both oxalate and phosphate ions and, following multivariate analysis of the amino acid profile, identified casein as the binder of the paintings. The imaging of calcium oxalates within the stratigraphy of wall painting samples is important and significant not only for the study of copper-based pigments in general, but especially for the analysis of pigments used for painting on exterior surfaces. (C) 2008 Elsevier Masson SAS. All rights reserved.
Notes: Times Cited: 0
I Osticioli, A Nevin, D Anglos, A Burnstock, S Cather, M Becucci, C Fotakis, E Castellucci (2008)  Micro-Raman and fluorescence spectroscopy for the assessment of the effects of the exposure to light on films of egg white and egg yolk   JOURNAL OF RAMAN SPECTROSCOPY 39: 2. 307-313  
Abstract: in this work, non-destructive techniques were employed for the spectrofluorimetric and micro-Raman differentiation of solid films of egg yolk and egg white as a function of exposure to light. Using both techniques it is possible to discriminate between the samples on the basis of composition and follow some chemical changes involved during the light-ageing of egg proteins and fatty acid esters. In egg white, fluorescence emission spectra highlighted the presence of multiple fluorophores, with an effective broadening of the fluorescence emissions following light exposure, ascribed to the partial oxidation and depletion of tryptophan; in the Raman spectrum of dark-aged egg white a peak at 758 cm(-1) is ascribed to the vibrational mode of tryptophan, which is completely absent in the spectrum of samples exposed to light. Changes in the fluorescence of egg yolk following exposure to light are ascribed to the degradation of amino acids, cross-linking between amino acids and the formation of oxygenated triacylglycerides. These results are corroborated with Raman spectra of the light-exposed samples, which are associated with wavenumber shifts with respect to the dark-aged sample for the Amide I and for the characteristic carbonyl vibration at 1744 cm(-1) ascribed to the oxidation of fatty acid esters. Copyright (C) 2008 John Wiley & Sons, Ltd.
Notes: Times Cited: 2
2007
I Osticioli, A Zoppi, E M Castellucci (2007)  Shift-excitation Raman difference spectroscopy-difference deconvolution method for the luminescence background rejection from Raman spectra of solid samples.   Appl Spectrosc 61: 8. 839-844 Aug  
Abstract: The feasibility of the shift-excitation Raman difference spectroscopy-difference deconvolution (SERDS-DDM) method for fluorescence suppression from Raman spectra of solid samples is discussed. For SERDS measurements a tunable diode laser source with an emission band centered at 684 nm is coupled to a conventional micro-Raman apparatus and a monochromator device is used for checking the excitation frequency stability. The shifted Raman spectra are then mathematically treated and a deconvolution procedure is used to reconstruct the Raman spectrum devoid of fluorescence. Two different cases are presented. In the first one, fluorescence is intrinsic to the sample and the Raman spectrum of cinnabar pigment is finally reconstructed. In the second, the presence of an external luminescence background in the spectrum of a pure sulfur crystal is considered. The SERDS-DDM reconstructed spectra are compared with spectra obtained via multi-point baseline subtraction and a significant improvement in the detection of weak bands is demonstrated. Practical insights for the application of this method are presented as well.
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A Nevin, I Osticioli, D Anglos, A Burnstock, S Cather, E M Castellucci (2007)  Raman spectra of proteinaceous materials used in paintings: a multivariate analytical approach for classification and identification.   Anal Chem 79: 16. 6143-6151 Aug  
Abstract: This work presents Raman spectra obtained from thin films of protein materials which are commonly used as binding media in painted works of art. Spectra were recorded over the spectral range of 3250-250 cm(-1), using an excitation wavelength of 785 nm, and several bands have been identified in the fingerprint region that correspond to the various proteins examined. Differences in the C-H vibrations located between 3200 and 2700 cm(-1) can be accounted for with reference to the amino acid composition of the protein-based binding media as well as the presence of fatty acid esters, in the case of egg yolk. In addition, the discrimination of different proteins on the basis of variations in spectra between 3200 and 2700 cm(-1) can be achieved following multivariate analysis of a large data set of spectra, providing a novel and nondestructive alternative based on Raman spectroscopy to other methods commonly used for the analysis of proteins.
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2006
A Giakoumaki, I Osticioli, D Anglos (2006)  Spectroscopic analysis using a hybrid LIBS-Raman system   Applied Physics A : Materials Science and Processing 83: 4. 537-541  
Abstract: A novel setup, combining two spectroscopic techniques, laser induced breakdown spectroscopy (LIBS) and Raman spectroscopy in a hybrid unit, is described. The work presented herein is part of a broader project that aims to demonstrate the applicability of the hybrid LIBS-Raman unit as an analytical tool for the investigation of samples and objects of cultural heritage. The system utilizes a nanosecond pulsed Nd:YAG laser (532 nm) for both LIBS and Raman analysis. In the Raman mode, a low intensity beam from the laser probes the sample surface and the scattering signal is collected into a grating spectrograph coupled to an intensified charge-coupled device (ICCD) detector, which records the Raman spectrum. In the LIBS mode a single high intensity pulse from the laser irradiates the sample surface and the time- and spectrally-resolved emission from the resulting laser ablation plume yields the LIBS spectrum. The use of a non-gated CCD detector was found to produce similar quality data (in terms of S/N ratio and fluorescence background) in the Raman mode, while in the LIBS mode spectral features were clearly broader but did not prevent identification of prominent atomic emission lines. Several model pigment samples were examined and the data obtained show the ability of the hybrid unit to record both Raman and LIBS spectra from the same point on the sample, a clear advantage over the use of different analytical setups.
Notes: cited By (since 1996) 27
A Giakoumaki, I Osticioli, D Anglos (2006)  Spectroscopic analysis using a hybrid LIBS-Raman system   Proceedings of the International Conference on Heritage, Weathering and Conservation, HWC 2006 2: 633-637  
Abstract: A novel setup, combining two spectroscopic techniques, laser induced breakdown spectroscopy (LIBS) and Raman spectroscopy in a hybrid unit, is described. Aim of this work is to demonstrate the applicability of the hybrid LIBS-Raman unit as an analytical tool for the investigation of samples and objects of cultural heritage. The system utilizes a nanosecond pulsed Nd:YAG laser (532 nm) for both LIBS and Raman analysis. In the Raman mode, a low intensity beam from the laser probes the sample surface and the signal is collected into a grating spectrograph coupled to an ICCD detector, which records the Raman spectrum. In the LIBS mode, a single high intensity pulse from the laser irradiates the sample surface and the time- and spectrally-resolved emission from the resulting plume yields the LIBS spectrum. Several model pigment and mineral samples were examined and the data obtained show the ability of the hybrid unit to record both Raman and LIBS spectra from the same point on the sample, a clear advantage over the use of different analytical setups. © 2006 Taylor & Francis Group.
Notes: cited By (since 1996) 0; Conference of International Conference on Heritage, Weathering and Conservation, HWC 2006; Conference Date: 21 June 2006 through 24 June 2006; Conference Code: 75464
I Osticioli, A Zoppi, E M Castellucci (2006)  Fluorescence and Raman spectra on painting materials : reconstruction of spectra with mathematical methods   JOURNAL OF RAMAN SPECTROSCOPY 37: 10. 974-980  
Abstract: SERDS (shift excitation difference spectroscopy) and SSRS (subtracted shifted Raman spectroscopy) methods were applied for fluorescence-background rejection in the Raman spectra of colored materials. These techniques are based on the assumption that the fluorescence contribution can be completely eliminated by subtracting two Raman spectra acquired at two shifted laser excitation frequencies. For the SERDS method a micro-Raman experimental apparatus coupled with a tunable diode laser (central emission at 684 nm) was set up. SSRS measurements were made on a commercial micro-Raman instrument; in this case the shifted spectrum was obtained by moving the spectrometer grating. Raman spectra were then reconstructed by applying the difference deconvolution method that automatically converts the difference signals in Raman peaks through a deconvolution operation. These techniques were tested on two reference colors (ultramarine and 6,6'-dibromoindigotine) and two colored samples of unknown composition (a Pompeian pink powder and a blue paint from a XVII century painting). Fluorescence-background subtraction and the following operation of spectra reconstruction took place successfully with no errors in Raman peaks, width and wavenumber position. In addition, even weak spectral details were revealed favoring the comparison with reference data for a molecular identification. Copyright (C) 2006 John Wiley & Sons, Ltd.
Notes: Times Cited: 9
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